January 2024

Fowler + Flack are invited to attend National Opera Association’s yearly conference on the campus of Arizona State University in Tempe as participants in NOA’s “New Works Expo.” 

Their primary focus will be finding a presenter for the Spanish-language, "La Ópera de Cecilia,” world premiere.


September 2023

With funding from a NEA Grant and supplemental support by principal trustees Chris and Anita Murray, Opera Las Vegas presents the World Premiere of “Behold The Man” to launch its 25th anniversary season. Ticket sales set an OLV record for a two-performance run. Cecilia's niece, Marisa Ibáñez, travels to Las Vegas to attend the premiere.

September 2022

Borja hosts a 10th Anniversary Gala celebration of the original “Ecce Homo” incident. Fowler + Flack attend as honored guests and are cited for their contribution to the story’s world-wide reach. 

 

Cecilia with Fowler + Flack in Borja

Chris and and Anita Murray with Andrew Flack in Las Vegas

Cecilia and her niece, Marisa, in front of the Ecce Homo


October 2021

North Carolina’s Wingate University presents the University Premiere of “Behold The Man,” directed by Jessie Wright Martin and conducted by Annie Brooks Stankovic.

May 2019

Behold the Man is selected by Fort Worth Opera for its 2019 Frontiers New Works Showcase, one of the most prestigious festivals of its kind in North America. 

 

May 2018

Arizona State University, under the auspices of artistic director Brian DeMaris, hosts performances of an orchestral reading.

SEPTEMBER 2017

Flack visits Borja to finalize securing the rights to Cecilia’s story.

MARCH 2016

Fowler + Flack work with translator, H.F. Pascual, on the Spanish version, La Ópera de Cecilia.



H.F. Pascual


AUGUST 2016

On the incident’s fourth anniversary, Borja hosts a concert of material from La Ópera del Ecce Homo attended by 700 tourists and locals. Mayor Arílla proclaims it an historic evening.

700 attend the Borja concert

700 attend the Borja concert

July 2015

Fowler + Flack host staged readings, directed by cutting-edge Boulder/Denver director Amanda Berg Wilson.

Borja’s concert of La Ópera del Ecce Homo in the courtyard of the Santuario

Borja’s concert of La Ópera del Ecce Homo in the courtyard of the Santuario

Press-worthy Cecilia

Press-worthy Cecilia

ACT II staged reading

ACT II staged reading


December 2014

New York Times story runs, prompting a third wave of publicity.

“It’s a pilgrimage of sorts, driven by the media into a phenomenon. God works in mysterious ways. Your disaster could be my miracle.” — Andrew Flack

AUGUST 2013

On the incident’s first anniversary Flack travels to Borja to meet Cecilia as a new wave of publicity sweeps the internet.

Carlos Toro, Cecilia Giménez, Barbara Duff, Marta Valls, Andrew Flack

Carlos Toro, Cecilia Giménez, Barbara Duff, Marta Valls, Andrew Flack

 
Cecilia speaks to the press

Cecilia speaks to the press


September 2012

Composer Paul Fowler and librettist Andrew Flack begin crafting the story and music.

Fowler + Flack

Fowler + Flack


AUGUST 2012

Cecilia Giménez’ unsuccessful restoration goes viral becoming an internet sensation. Virtual “memes” circle the globe, visitors begin arriving.

Tourists flock to Borja

Tourists flock to Borja


CIRCA 1930

Local artist Elías García Martínez paints his “Ecce Homo” fresco as a gift for the Santuario de Misericordia in Campo de Borja, Spain.

Martínez’ original fresco

Martínez’ original fresco